Jeremy Segal is an artist and technician working predominantly with sound and music.
He grew up playing guitar and writing songs, gradually turning his head toward DIY production and sonic manipulation as a young adult. This culminated in four releases under the moniker Segue and a formative stint as bass player and recording/mixing engineer for art-rock band Didion’s Bible.
In 2020 Jeremy worked on Four Footprints, a collection of spatial-audio pieces exploring the translation of field recordings into synthesized compositions. In 2021 he released Plateaux, an album of electronic music dealing primarily with sonic transformation and gradual process. In 2022 he worked extensively with vocal sound material and algorithmic systems, first with Voice Rhythm AM Drone, presented in 6.1 surround at Callaway Auditorium, and then Speak… Ah, a quadraphonic text-to-speech piece commissioned by Tone List for their Audible Edge Festival of Sound. In 2023, with support from Tone List and Perth Jazz Society, he formed an electro-acoustic improv trio with Naoko Uemoto and Josiah Padmanabham.
In 2023, with support from the Schenberg Fellowship and Ian Potter Cultural Trust, Jeremy began a Master of Sound Studies and Sonic Arts at Berlin University of the Arts. Here his attention turned to experimental radio, live electronics, plunder-phonics, and rock and roll mythology. He began Soundplant Datamind, a collaborative radio show with domingo castillo, in which the pair perform live remixes of their recent media consumption. While artist-in-residence at spudWORKS in Sway, UK he worked with Em Burrows on New Forest Collage Radio, a site responsive FM radio installation exhibited in May 2025. Throughout 2024 he performed with broken loudspeakers, feedback loops, and his laptop.
Jeremy works as a sound engineer in studio and on location. He specialises in mixing and mastering music for independent and self-producing artists, and enjoys documenting sound in non-studio spaces.